Best photography lighting techniques

Are you wondering how to master photography techniques? We have made a list of techniques that you might like it.

Broad Light

A broad source of light reduces the shadows, contrast and texture. The narrower the light source the more difficult the light is. Light rays from a broad source hit your subject in other directions, giving the scene more illumination.

Be Closer to Light

The more distant you are from your objects, the more complicated that light will become. That’s why you have to bring a light closer to your subject and make it larger, that is broader. Drive it aside, and end up making it comparatively smaller and thus narrower. I f you picture people with light available indoors, you move lamps or strobes closer to them or vice versa for a more flattering light.

Diffusion scatters light

Shadows become less distinct when clouds drift in front of the sun. Fill in the rain, and the shadows disappear. The diffusion of a hard light source can be based on materials like plastic resin or white component. A diffuser such as strobe can be placed before an artiflcial light.Or you can use a light tent or a white shade to soften the light that falls on your object if you are in bright sun.

Bouncing light acts as diffusion

Set yourself up to a small, matte light source on a wide surface – a wall, a ceiling or a matte refiector – and not only reflect light, but disperse light by dispersing it over a wider surface. A crumpled piece of aluminum foil, which has again spread out around the piece of carboard with its shiny side, makes a good reflector, which is no less soft than a matt white surface and is great for the sparkling highlights. The most extreme kind of glittery reflector — a mirror — keeps the light focused almost as narrowly in the reflection.

Additional Tips

The falloff from the subject to the background will be more pronounced if you place a light close to your subject. Move the light away from your subject, and the background is brighter. The same applies to side lighting: The light falling near the side of your subject is more pronounced across the frame than if the light is farther away. If you are under the front light, hold the person in front of the window, so that the back wall of the room falls in the dark. However, if you want some light on the wall, push the individual from the windows and closer to it.

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